Digital Art Tips And Tricks – Http://www.youtube.com/user/mrramstudios1 – In this video tutorial I share tips and tricks for making your own digital ink. I use a Sketchbook Pro 7 with a Wacom Cintiq to create this cartoon style art. I get asked why I use digital ink and what power the process brings, so here […]
Http://www.youtube.com/user/mrramstudios1 – In this video tutorial I share tips and tricks for making your own digital ink. I use a Sketchbook Pro 7 with a Wacom Cintiq to create this cartoon style art. I get asked why I use digital ink and how powerful the process is, so here’s a video to answer those questions.
Digital Art Tips And Tricks
I’m creating my Blackstone Eternal comics digitally now because I find the process quicker and easier to download as a PDF when I’m done. I’m still a traditional ink, but only for commissions. All my business is now digital.
D Art & Design Tips, Tricks & Fixes Magazine (digital)
If you have any questions about the process, comment below and I’ll try my best to respond in a timely manner.
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As with any skill, after making digital art for a long time, you’ll find tips, tricks, tricks, and even shortcuts that will help you get the job done a little easier or faster.
And every time you learn one, you wonder how you managed to do the art for so long without learning it sooner.
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Not everything on the list below is for everyone – we like digital art for slightly different reasons, and we have our preferences and the kind of art we like to make. Either way, hopefully you can add new skills to your repertoire and it will save you a headache!
There is no doubt that you will find your methods that work for you and make your work easier in time. However, having someone show you things to try saves time.
Some of these tips may seem very strange and ask you to change something in your workflow that you are really used to. However – it’s always important to try things and give them a fair chance because at the end of the day, if you catch them, you’ll get a lot out of them, and if you don’t – you know and can learn about you and how you can learn. act like you understand it’s not yours.
You’ll notice that I’ve tried to list these tips in sequential order, hopefully to make it easier to remember!
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That doesn’t mean you can’t draw and explore. Brainstorming, exploring and having fun can lead to very interesting ideas and concepts that you wouldn’t have come up with otherwise. However, when you get to the point where you have an idea for the whole piece in your mind, think about it carefully and don’t forget that it’s your goal.
Deviating from the goal may remain unclear, and the message cannot be conveyed properly.
Is it digital, do you want to print it? Is it on a t-shirt? You have to vary the way you do it depending on what the purpose of the piece is.
Always know what size fabric you should be working with. Ignoring it can come back to bite you badly.
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Both are closely related to resolution: DPI is dots per inch and is used in printing – PPI is pixels per inch and is used in displays. Different types of screens have different PPI, and the higher the PPI on the screen, the smaller the image looks.
Computer screens are typically around 80 PPI, and modern phone screens are over 400 PPI and more!
When you have an idea of what you want to do – it’s always good to make thumbnails before you start working. Thumbnails allow you to plan ahead and explore different angles and aspects of how this piece might look. No matter how cool your first idea is, there’s always a chance that a different shape or angle or whatever will serve the product better.
No matter how annoying it is that everyone is talking about this – they are saying it for a reason, so am I.
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Applying gloss and color won’t mask your abrasive shapes, and while it’s fun to try out a new brush, it won’t make you a better artist.
7. Learn the difference between shape and form (2D and 3D) and Practice your 3D thinking skills.
This is related to an important point – unless you want to create animation or an abstract style (but you should still remember this) – if you want your art to look real, you should consider 3D volumes and textures. explaining how they can best be conveyed in 2D.
This can become a very heated debate between many experts from different walks of life and different beliefs and values.
First Time Trying Digital Art Instead Of Traditional, Any Tips And Tricks Would Be Appreciated.
I firmly believe that it is toxic for beginning or intermediate artists to refuse to use references because it prolongs their learning and slows down their progress.
You should try to get the most out of your imagination by simplifying shapes etc, but even experienced artists still rely on references, especially when you’re just starting out and still working on a digital art project – that’s important. using all the necessary tools. The reference helps to understand things in a simple way, focus on knowing how to work and improve your basic knowledge without racking your brain, trying to think what a horse looks like when it explodes or what a horse looks like here. a certain side. If you don’t know what something looks like, the fastest way to learn is to look for references.
Picking colors from references is usually not a good idea, at least, unless you’re using them for color studies or quality somehow. Use references, learn from them, but don’t choose colors to use those colors in the final artwork.
No matter how good the color is and maybe you convey the shape with a line, the parameters are the most important to build a strong shape and ultimately a strong paint.
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A thorough understanding of values and their importance is one of the signs of an artist who takes himself seriously and is determined to be among the best.
Using a white surface is usually not a good idea. Using a midtone background is very easy because it helps you see the quality and get the shape (when it comes to quality) clearly.
Contrast is a powerful tool, especially when it comes to conveying the feeling of a song. This oozes together with a sense of quality, but needs talking.
Used correctly, dynamic contrast, as mentioned earlier, is a powerful tool that can help you improve your work. However, very rarely will you encounter a situation where using pure black or pure white is the right choice. It can, but most high-contrast images don’t use pure black or pure white.
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Always make sure your target is in the right place and move quickly to achieve your goal.
Try new brushes and use them to get a nice and fluffy shape until you overdo it and make your work look busy and crowded. The same goes for character art – if your client wants a piece with history, don’t get carried away with plant details etc. no matter how much you want to do them. Try to do what best serves the song and purpose.
Everyone has their favorite work style, it shows their work style, etc. There are different styles when mixing, but a soft brush is usually not a good idea.
When people talk about artistic gradients, they’re talking about going from one color to another. At least know the basic rules of how and where hard and soft parts should be used; always think of them if something feels missing in that respect, if things don’t seem to fit together.
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